In Chapter 41, Poem 17 of Attar's Mokhtar Nameh, the poet explores the profound mystical states of bewilderment (heyrani) and wandering (sargardani). The lover is depicted as being trapped in a continuous cycle of 'dying' from spiritual confusion and being brought back to life by the beloved to endure more. A central theme of this quatrain is the divine beloved's omniscience; the beloved is intimately aware of the lover's internal turmoil and silent suffering, rendering any verbal explanation of this agony unnecessary.