Both 'Elahi Nameh' (Tale 11) and 'Mosibat Nameh' (Section 9) utilize the Mahmud and Ayaz narrative to explore the Sufi master-slave reversal, though with distinct thematic emphases. In 'Elahi Nameh', the reversal centers on absolute dominion, with Ayaz claiming ultimate kingship because he rules the earthly king's heart. In contrast, the narrative in 'Mosibat Nameh' emphasizes the paradox of spiritual captivity versus worldly freedom; when Mahmud offers to emancipate Ayaz, it is revealed that Mahmud himself is the true captive, bound by Ayaz's tresses. Together, these allegories demonstrate how divine love simultaneously conquers worldly authority and the ego's illusion of freedom.