This poem, attributed by Jami to Pir-e Herat (Khwaja Abdullah Ansari) in the Baharestan, articulates the Sufi paradox of divine companionship: God is not a remote destination but the seeker's own guide, who takes him by the hand and spurs him onward toward Himself. The declaration that He 'is my hand, and my foot too; wherever He goes, I move on ahead' collapses the distance between seeker and sought — the very act of searching for the Divine is enabled and driven by the Divine. The seeker advances, dancing and hand-waving, precisely because the Beloved is already present within the journey. This interpretive concept unpacks the poem's imagery and theme so learners can connect it to related Sufi motifs of divine proximity and the guided quest.