This concept explores the Sufi theme of complete absorption in divine love, as expressed in Chapter 33, Poem 27 of Attar's Mokhtar Nameh. The poet describes a state where deep engrossment in the Beloved's love leads to a total detachment from the 'two worlds' (the material and spiritual realms). Consequently, the lover's perception is transformed: in every object they gaze upon, the worldly form recedes to the background, and the face of the Divine is perceived in the foreground, illustrating the all-encompassing omnipresence of the Beloved.