In Chapter 36, Poem 15 of Mokhtar Nameh, Attar masterfully intertwines romantic description with sacred Islamic imagery. The beloved's facial features are elevated to divine symbols: the mole is likened to the Black Stone (Hajar al-Aswad) of the Kaaba, while the eyebrows are compared to 'Qab-e Qawsayn' (proximity of two bow-lengths). This phrase directly references the Prophet Muhammad's ultimate closeness to God during the Ascension (Mi'raj) in Quran 53:9. By mapping these holy symbols onto the beloved's face, the poet suggests that observing the beloved is an act of spiritual reverence akin to witnessing divine majesty.