In the 39th chapter of Farid al-Din Attar's Mosibat Nameh, which explores the seeker's quest for the Heart (qalb), the tale of a king's exceptionally beautiful daughter serves as an allegory for Divine Beauty. The poem describes her radiance through celestial metaphors, symbolizing the captivating allure of the Beloved. When a young servant glimpses her, he is instantly overcome by a love that transcends reason and selfhood. This narrative illustrates how the Heart is irresistibly drawn to the reflection of the Absolute, shattering the seeker's ego and directing their soul toward spiritual annihilation (fana).