This concept explores the allegory of Fatima's simple trousseau in Farid ud-Din Attar's Elahi Nameh. In this narrative, Fatima's humble dowry—consisting of basic items like a handstone, a palm-leaf mat, and a patched chador—symbolizes the Sufi virtues of voluntary poverty (faqr), asceticism (zuhd), and detachment from worldly luxury. The narrative highlights that true spiritual status and proximity to the Divine are attained not through material wealth, but through contentment and detachment from the material world.