In Chapter 45, Poem 8 of Attar's Mokhtar Nameh, the poet addresses the pride and radiant blooming of the rose (flower). The poem attributes the flower's joyful blooming—described as 'laughing with grace like the morning'—to two possible sources: the transcendent beauty of the beloved (or the Divine) and the eloquence of the poet's own verses. This reflects a prominent theme in classical Persian literature where the beauty of nature serves as a mirror or recipient of a higher spiritual beauty and the transformative power of art.