In Poem 50 of Chapter 44 in Attar's Mokhtar Nameh, the poet utilizes Qalandari imagery to depict the spiritual journey beyond conventional intellect. The 'tavern of ruins' (kharabat) represents a state of mystical annihilation where the seeker abandons 'errant reason' (aql-e nasawab) and the societal constraints of fame and disgrace (neng o nam). Intoxicated by the wine of divine passion, the seeker achieves a state of spiritual ruin, laying their head on a brick in ultimate humility and liberation from the ego.