In Section 46 of the Hadiqat al-Haqiqah, Sanai reflects on Islamic traditions (Hadith) that encourage travel in pursuit of knowledge and spiritual refinement. Explicitly referencing the well-known injunction to 'seek knowledge even in China', the poem emphasizes that abandoning the comfort of one's homeland (watan) is a prerequisite for true growth. Sanai uses dynamic imagery of movement, battle, and cosmological shifts—such as swirling dust and the sun changing its garments—to illustrate the rigorous, transformative, and ultimately rewarding nature of leaving one's origins behind in order to seek the Hereafter.