This concept explores the themes of universal mortality and the restrictive nature of worldly existence as presented in Attar's Mokhtar Nameh, Chapter 24, Poem 28. The poem's imagery portrays the world as a house or snare in which human beings inevitably become trapped upon entering. Attar uses the historical continuity of life and death (the reality that countless others 'came and went') to console the reader against excessive personal sorrow, suggesting that acknowledging the shared, transient fate of all humanity can alleviate individual existential suffering.