This concept explores the allegory in Section 15 of Attar's Mosibat Nameh where a destitute madman goes to a mosque and prays to God for gold. Frustrated when his prayers are ignored, he angrily challenges God to throw the roof of the mosque on his head. In response, a piece of plaster from the ceiling falls on him. The story highlights the bold, uninhibited relationship the 'diwana' (madman/mystic) has with the Divine, themes of spiritual poverty, and divine response.