In the concluding section (Khatima) of the Elahi Nameh, Farid al-Din Attar engages in the classical Persian poetic tradition of 'fakhr' (self-glorification). He boldly asserts the supremacy of his mystical poetry, claiming its spiritual rank transcends the highest heavens. By comparing the life-giving nature of his verse to the miraculous healing breath of Jesus and the 'white hand' of Moses, Attar emphasizes the divine inspiration and transformative power of his words. He envisions his literary work as a timeless, flourishing garden that will continue to awaken and spiritually nourish future generations of seekers (javanmardan), demonstrating his profound confidence in his mystical legacy.