Farid al-Din Attar's portrayals of the Prophet's ascension (Mi'raj) in his major masnavis—such as the Elahi Nameh, Asrar Nameh, and Mosibat Nameh—share structural motifs but emphasize different spiritual themes. In all these works, the angel Gabriel initiates a journey that transcends physical time and space (lamakan), while the entire cosmos eagerly anticipates the Prophet's arrival. However, each text offers unique nuances: the Elahi Nameh focuses on the Prophet witnessing God to intercede for his community; the Asrar Nameh highlights his inherent divine light and independence from heavenly rewards; and the Mosibat Nameh underscores his supreme cosmic status and ultimate divine proximity. Comparing these accounts illustrates the depth and variation within Attar's Sufi prophetology.