In this section of the Mosibat Nameh, Farid al-Din Attar uses the archetype of the madman sleeping on a grave to explore the themes of mortality and the preservation of spiritual purity. The madman rejects the invitation to return to the bustling, sinful city, arguing that death is the inevitable final destination for all. By staying at the graveyard, he remains continuously aware of death, avoiding the spiritual distractions and sins of urban society.