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دفتر دوم - بخش ۱۱۲ - منازعت چهار کس جهت انگور کی هر یکی به نام دیگر فهم کرده بود آن را / Book Two - Section 112 - The Dispute of Four Persons Concerning Grapes, Which Each of Them Understood by Another Name
The Deception of Words and Forms (Surat vs. Ma'ni) in the Masnavi
The Illusion of Names and the Unity of Meaning in the Masnavi
The Metaphor of the Dispute Over Grapes: Form vs. Meaning in the Masnavi
In the Masnavi, Rumi uses the story of four men (a Persian, an Arab, a Turk, and a Greek) disputing over grapes to illustrate the conflict between superficial names (forms) and underlying reality (meaning).
Key Themes of the Metaphor:
- Form vs. Meaning (Surah vs. Ma'na): The four men fight because each knows the grape only by its name in his own language (angoor, inab, uzum, and istafil). They fail to realize that they all desire the exact same physical reality. This represents how people fight over theological and linguistic labels while seeking the same Divine Truth.
- The Role of the Spiritual Guide (The Master of Secrets): Rumi notes that a 'man of secrets' (a spiritual guide or prophet) who knows 'a hundred languages' could easily resolve their conflict. This guide possesses universal wisdom and can translate sectarian differences into a unified understanding of the ultimate essence.
- Ignorance as the Root of Conflict: The physical fight symboliz...
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Humanities
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Islam
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Persian Literature Prerequisite Course
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دفتر دوم - بخش ۱۱۳ - برخاستن مخالفت و عداوت از میان انصار به برکات رسول علیه السلام / Book Two - Section 113 - How the Enmity and Hatred of the Ansar was Abolished by the Blessings of the Prophet, Peace Be Upon Him
The Metaphor of the Dispute Over Grapes: Form vs. Meaning in the Masnavi
The Metaphor of Grain and Chaff, Walnut and Raisin (Form vs. Meaning) in the Masnavi
The Illusion of Names and the Unity of Meaning in the Masnavi
The Metaphor of the Dispute Over Grapes: Form vs. Meaning in the Masnavi
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The Concept of 'Language of State' (Zaban-e Hal) in the Masnavi
The Metaphor of the Dispute Over Grapes: Form vs. Meaning in the Masnavi