بخش ۴۳ - در مدح نظامالملک ابونصر محمّدبن عبدالحمیدالمستوفی / Section 43 - In Praise of Nizam al-Mulk Abu Nasr Muhammad bin Abdul Hamid al-Mustawfi
متن و ترجمه / Text and Translation
| خواجه بونصر نائب دستور | چشم بد زان جمال و دانش دور |
| Khwaja Abu Nasr, the deputy of the minister, May the evil eye be far from that beauty and wisdom. | |
| خلق او هست بی ریا و نفاق | خلق او هست بی خلاف و شقاق |
| His character is without hypocrisy or pretense, His character is without conflict or discord. | |
| هم نکو خلق و هم نکو گفتار | هم نکو خط و هم نکو دیدار |
| He is of good character and good speech, Of fine handwriting and pleasant countenance. | |
| آنچه گوش از کمال خواجه شنید | چشم از او صد هزار چندان دید |
| Whatever the ear heard of the master's perfection, The eye beheld a hundred thousand times more of it. | |
| جان و دل را حدیقه و مونس | عقل و گل را شمامه و مجلس |
| He is a garden and companion to the soul and heart, A perfume and assembly to reason and the rose. | |
| کانچه دارد ز خلق او اطراف | آهوی چین ندارد اندر ناف |
| For whatever fragrance the horizons possess of his character, The musk-deer of China does not hold in its navel. | |
| روح دیدار و عقل گفتارست | دولت ایثار و ملت آثارست |
| He is the spirit of vision and the intellect of speech, The wealth of selflessness and the legacy of the nation. | |
| فضل او در زمان چنان فاشست | که ادب بر درش چو فراشست |
| His merit is so renowned in this age, That etiquette serves at his door like a chamberlain. | |
| از پی جاه و خدمت سلطان | نه برای فلانک و بهمان |
| For the sake of the Sultan's dignity and service, And not for this or that insignificant person. | |
| قبلهٔ فاضلان ستانهٔ اوست | سرمهٔ عقل گرد خانهٔ اوست |
| His threshold is the sanctuary of the learned, The dust of his house is collyrium for the intellect. | |
| مال خود چون خیال بگذارد | وآن سلطان چو جان نگه دارد |
| He lets go of his own wealth like a passing phantom, But guards that of the Sultan as if it were his own soul. | |
| صورتش ابتدای قوت روح | سیرتش انتهای سورهٔ نوح |
| His form is the beginning of the soul's nourishment, His character is the pinnacle of the Chapter of Noah. | |
| کرده از بهر حق بکرد و بگفت | عادتش عدت وفا را جفت |
| He has acted and spoken for the sake of the Truth, His habit is wedded to the preparation of loyalty. | |
| در ره شاکری فریشته وش | راست محنت کن است و محنت کش |
| In the path of gratitude, like an angel, He is truly a strive-maker and pain-bearer. | |
| پیش او از برای سود و زیان | صدهزاران دلست و یک فرمان |
| Before him, for the sake of profit and loss, Are a hundred thousand hearts, yet but a single command. | |
| همچو عقل از کی و که و چه و چون | فکرتش پی برد درون و برون |
| Like the intellect, regarding when, who, what, and how, His contemplation penetrates the inner and the outer. | |
| از پی آفتاب دهرآرای | زو برد مشتری اصابت رای |
| Following the sun that adorns the era, Jupiter derives from him the rectitude of judgment. | |
| رای او قطب دولت مردان | ملک و دین گرد رای او گردان |
| His judgment is the pole-star of the rule of great men, Kingdom and religion revolve around his counsel. | |
| همچو عقل از ورای چرخ کبود | دیده نابوده هرچه خواهد بود |
| Like the intellect, from beyond the blue sphere, He has foreseen whatever is yet to be before it exists. | |
| پیش رایش نماند پوشیده | بر فلک هیچ روی پوشیده |
| Before his judgment, nothing remains hidden, No veiled face upon the heavens. | |
| فهمش از جام جم نیاید کم | که همه بودنی بدید چو جم |
| His understanding is not inferior to Jamshid's cup, For like Jam, he saw all things that are to happen. | |
| دل او از برای به دانی | هست مشکات نور ربانی |
| His heart, for the sake of higher knowledge, Is the niche of divine light. | |
| اثر لطف او چو آب زلال | خاک روب درش اثیر جلال |
| The trace of his grace is like pure water, The sweeper of his door is the ether of majesty. | |
| نیست در کارگاه صنع خدای | کار بندی چو خواجه کارگشای |
| There is not, in the workshop of God's creation, An administrator and problem-solver like the master. | |
| چون سرانگشت او قلم گیرد | چار طبع عدو الم گیرد |
| When his fingertip takes up the pen, The four humors of the enemy are seized with affliction. | |
| عقدی از در کشد ز نوک قلم | چون ز سر بر بیاض ساخت قدم |
| He draws a necklace of pearls from the tip of the pen, When he steps upon the white paper from its top. | |
| پست بالاست پیش عزش عرش | تنگ پهناست پیش فرش فرش |
| High is low before his glory, even the Throne, And narrow is the expanse of earth before his carpet. | |
| ابر گریان ز دست و دست گهش | صبح خندان ز خاک بوس رهش |
| The cloud weeps out of envy of his hand and bounty, The dawn smiles from kissing the dust of his path. | |
| هست در رشک آن کف و گفتار | آب دریا و لؤلؤ شهوار |
| Envious of that hand and speech are The water of the sea and the royal pearl. | |
| برده آب بهار و آوازه ش | لب خندان و چهرهٔ تازه ش |
| His smiling lip and fresh countenance Have surpassed the luster and fame of spring. | |
| پیش سر خدایگان از هوش | هر زمان حلقه ای کند در گوش |
| In the presence of the masters of secrets, out of wisdom, Every moment he places a ring of servitude in his ear. | |
| گر فلک نیست کلک او هرگاه | از گریبان چرا برآرد ماه |
| If his pen is not the celestial sphere, Why then does it draw forth the moon from its collar? | |
| در یکی فضل او تأمل کن | عقل را مال و روح را مل کن |
| Contemplate but one of his virtues, Rub the intellect and make the spirit like wine. | |
| تا نبینی به چشم عقل و یقین | در دو خط صد نگارخانهٔ چین |
| Until you see, with the eye of intellect and certainty, A hundred picture-galleries of China within two lines of his writing. | |
| درج کرده چو سایه و خورشید | در شب و روز نام بیم و امید |
| Enclosed like the shadow and the sun, Within night and day, the names of fear and hope. | |
| از خط او که دنیی و دینست | دیده گل بین و عقل گل چینست |
| Calligraphy which is world and religion, The eye sees roses and the intellect gathers them. | |
| همتش آسمان و خلق ملک | خاطرش آفتاب و کلک فلک |
| His high resolve is the sky and his nature is angelic, His mind is the sun and his pen is the celestial sphere. | |
| خط او در هوای گلبن راز | پشت طاوس دان و سینهٔ باز |
| Know his calligraphy in the breeze of the secret rosebush To be like the peacock's back and the falcon's breast. | |
| زاده از روح کلک و نور یقین | شب و روز جهان دولت و دین |
| Born of the spirit of the pen and the light of certainty, Are the night and day of the world of state and religion. | |
| زردهٔ عقل زردی خامه ش | ادهم دین سیاهی نامه ش |
| The yellowness of his reed-pen is the yolk of intellect, The blackness of his scroll is the dark steed of faith. | |
| هرکرا نیست چون قلم رایش | قلم او قلم کند پایش |
| Whoever has not a judgment like his pen, His pen will sever his foot. | |
| خط او خط جان اسرافیل | کلک او کیل رزق میکائیل |
| His writing is the line of Israfil's life, His pen is the measure of Michael's sustenance. | |
| صورت خط او که در نامه ست | چون نسیم بهارخوش جامه ست |
| The form of his writing that is in the letter, Is well-dressed like the spring breeze. | |
| کلک او همچو نوک دیده کشان | خط او همچو غمزه های خوشان |
| His pen is like the tip of the eye-liners of beauties, His writing is like the coquettish glances of the beautiful. | |
| شحنهٔ راه دین صلابت او | روح قدسی کمین مثابت او |
| The guardian of the path of religion is his firmness, The Holy Spirit is the lowest of his stations. | |
| نیست پوشیده زو قلیل و کثیر | نز نقیر ایچ چیز و نز قطمیر |
| Neither little nor much is hidden from him, Not a single speck nor a date-stone's groove. | |
| جاه او همچو ماه ملک نگار | کلک او همچو تیغ کارگذار |
| His stature is like the moon that adorns the kingdom, His pen is like an effective sword. | |
| به امان و به خلق حور و پری | در تباشیر بشر او بشری |
| In safety and in the character of houris and fairies, In the good tidings of humanity, he is a true human. | |
| برده بیخ سخاش تا عیوق | میوه و برگ و شاخ و نرد و عروق |
| The root of his generosity has reached Capella, Along with its fruit, leaves, branches, stems, and veins. | |
| طیب ذکرش غذای روح ملک | طول عمرش مدار دور فلک |
| The fragrance of his remembrance is the food of the angel's spirit, The length of his life is the orbit of the heavens' rotation. | |
| باد امرش چو امر روح ملک | باد عمرش چو عمر نوح و لمک |
| May his command be like the command of the angel of spirit, May his life be like the life of Noah and Lamech. | |
| عقل با وی نشسته در مکتب | علم از وی گرفته علم و ادب |
| Reason sat with him in school, Knowledge acquired science and etiquette from him. | |
| روح بر مرکب عنایت اوست | عقل در مکتب هدایت اوست |
| The spirit is mounted on the steed of his favor, Reason is in the school of his guidance. | |
| به گه ضبط مال و عقد حسیب | ساحران را زند به علم آسیب |
| At the time of securing wealth and calculating accounts, He strikes magicians with his knowledge. | |
| کرده از بر به قدرت خلاق | حاجت آید مطالعت به کتاب |
| And should there be need to study a book, By the Creator's power, he has committed it to memory. | |
| او ز حالی که شاه از او جوید | همه از بر به جمله برگوید |
| Whatever condition or matter the King seeks from him, He recites it all entirely from memory. | |
| ملک عالم برش معاینه شد | دل او بر مثال آینه شد |
| The kingdom of the world was clearly visible to him, His heart became like a mirror. | |
| حبذا رای روشن و پاکش | که فلک گشت تختهٔ خاکش |
| How wonderful is his bright and pure judgment, For which the sky became a writing tablet of dust! | |
| خامه اندر بنان او گه سیر | بگشاید به خلق بر در خیر |
| The reed-pen in his fingers, during its movement, Opens the door of goodness to the creation. | |
| بر سر انگشت وی چو گشت سوار | آن لطیف نحیف زرد و نزار |
| When that delicate, slender, yellow, and thin reed-pen Becomes mounted upon his fingertip, | |
| دوستان را کند دو رخ چون لعل | دشمنان را کند سیاه چو نعل |
| It turns the two cheeks of friends ruby-red, And makes the enemies black as a horseshoe. | |
| انده دشمن است و شادی دوست | خیر و شر بسته در زبانهٔ اوست |
| The sorrow of the enemy and the joy of the friend, Good and evil are bound up in its tongue. | |
| شب آبستنست خامهٔ او | گشت مضمر ز فتح نامهٔ او |
| His pen is like a pregnant night, From which victory letters became concealed. | |
| زان زبان سیاه و شخص سپید | گشته دشمن ز جان خود نومید |
| From that black tongue and white body of the pen, The enemy has become hopeless of his own life. | |
| تن سپید و سیاه منقارش | همه ساله غذا شده قارش |
| Its body is white and its beak is black, All year round its food has been ink. | |
| در شود هر زمان به بحر سیاه | برکشد در ز بهر تاج و کلاه |
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بخش ۱ - مقدّمهٔ رفاء / Section 1 - The Preface of Rafa
بخش ۱ - در توحید باری تعالی / Section 1 - On the Oneness of God the Exalted
بخش ۲ - فصل معرفت / Section 2 - The Chapter on Gnosis
بخش ۳ - فصل وحدت و شرح عظمت / Section 3 - Chapter on Unity and Description of Grandeur
بخش ۵ - فصل اندر صفا و اخلاص / Section 5 - Chapter on Purity and Sincerity
بخش ۴ - فصل تنزیه قِدم / Section 4 - The Chapter on the Sanctification of Pre-Eternity
بخش ۶ - التمثیل فی شأن من کان فی هذه اعمی فهو فیالآخرة اعمی جماعة العمیان و احوال الفیل / Section 6 - The Allegory regarding 'Whoever is blind in this world will be blind in the Hereafter': The Group of Blind Men and the States of the Elephant
بخش ۸ - التمثیل فی اصحاب تمنّی السوء / Section 8 - The Allegory regarding those who wish for evil
بخش ۷ - فصل فی ان الاستواء معقول والکیفیة مجهول / Section 7 - The Chapter on: 'Establishing' is Comprehensible and the Modality is Unknown
بخش ۱۰ - فی الحفظ و المراقبة / Section 10 - On Vigilance and Self-Observation
بخش ۱۱ - التمثیل فی قوم یؤتون الزکوة / Section 11 - The Allegory regarding a People Who Pay the Alms
بخش ۱۲ - فیالحکمة و سبب رزق الرازق / Section 12 - On Wisdom and the Cause of the Provider's Provision
بخش ۱۳ - فیالهدایة / Section 13 - On Guidance
بخش ۱۵ - فصل اندر تقدیس / Section 15 - Chapter on Sanctification
بخش ۱۶ - داستان باستان / Section 16 - The Ancient Tale
بخش ۱۷ - التمثیل لقوم ینظرون بعین الاحوال «مُناظِرَة الوَلَدِ مَعَ الوالِد» / Section 17 - The Allegory for a People Who Look with the Eye of Squinting (or Circumstances): 'The Debate of the Son with the Father'
بخش ۱۸ - فی زینةالاطفال / Section 18 - On the Ornament of Children
بخش ۲۱ - فیالامثال والمواعظ، الفقر سواد الوجه والدُّنیا دارالزوال و تغیّرالاحوال و الانتقال / Section 21 - On Proverbs and Admonitions: Poverty is the Blackness of the Face, and the World is the House of Decline, the Change of Conditions, and Passing Away
بخش ۲۲ - در بینیازی از غیر خدایتعالی و دست در وی زدن از سر حقیقت / Section 22 - On Independence from Other Than God the Exalted and Clinging to Him in Truth
بخش ۲۳ - اندر تضرّع و عجز / Section 23 - On Supplication and Helplessness
بخش ۲۴ - حکایت / Section 24 - The Tale
بخش ۲۵ - اندر ذکر و یاد کردن / Section 25 - On Remembrance and Recollection
بخش ۹ - فصل اندر درجات / Section 9 - Chapter on Degrees
بخش ۲۶ - حکایت / Section 26 - The Tale
بخش ۲۷ - تمثیل / Section 27 - The Allegory
بخش ۲۸ - فی ذکر دارِالبقاء / Section 28 - On the Mention of the Abode of Eternity
بخش ۲۹ - اندر وجود و عدم / Section 29 - On Existence and Non-Existence
بخش ۳۰ - اندر شُکر گوید / Section 30 - On Gratitude
بخش ۳۱ - اندر شکر و شکایت / Section 31 - On Gratitude and Complaint
بخش ۳۲ - فیاطّلاعه علی ضمائرالعباد / Section 32 - On His Awareness of the Inner Secrets of the Servants
بخش ۱۴ - فی المُجاهدة / Section 14 - On Spiritual Struggle
بخش ۳۳ - اندر رزق گوید / Section 33 - On Sustenance
بخش ۳۴ - تمثیل / Section 34 - A Parable
بخش ۳۵ - حکایت مرغ با گبر / Section 35 - The Tale of the Bird and the Zoroastrian
بخش ۳۶ - تمثیل در بیداری / Section 36 - Parable on Wakefulness
بخش ۳۷ - اندر حب و محبت / Section 37 - On Love and Affection
بخش ۳۸ - اندر تجرید گوید / Section 38 - On Detachment
بخش ۱۹ - فصل اندر صُنع و قدرت / Section 19 - Chapter on Divine Artistry and Power
بخش ۳۹ - فی سلوک طریق الآخرة / Section 39 - On Treading the Path of the Hereafter
بخش ۴۰ - التمثیل لابن الغافل والاب العاقل / Section 40 - The Allegory of the Heedless Son and the Wise Father
بخش ۴۱ - حکایت / Section 41 - The Tale
بخش ۴۲ - فیالتوکّل / Section 42 - On Trust
بخش ۴۳ - فی توکل العجوز / Section 43 - On the Trust of the Old Woman
بخش ۴۴ - ایضاً فیالتوکّل / Section 44 - Also on Trust
بخش ۲۰ - فی تعظیم قدره / Section 20 - On Exalting His Power
بخش ۴۵ - التمثّل فیالرؤیاء و تعبیره و هو ثمانون رؤیا عجیبة / Section 45 - On Exemplification in Dreams and Its Interpretation, which includes eighty wondrous dreams
بخش ۴۶ - فی رؤیا الأثواب و الأوانی / Section 46 - On Dreaming of Garments and Vessels
بخش ۴۷ - فی رؤیا الصنّاعین / Section 47 - On the Dreams of Artisans
بخش ۴۸ - فی رؤیا البهائم / Section 48 - On Dreaming of Beasts
بخش ۴۹ - فی رؤیاء السّباع / Section 49 - On Dreaming of Predatory Beasts