بخش ۴۳ - در مدح نظامالملک ابونصر محمّدبن عبدالحمیدالمستوفی / Section 43 - In Praise of Nizam al-Mulk Abu Nasr Muhammad bin Abdul Hamid al-Mustawfi
Original content
خواجه بونصر نائب دستور
چشم بد زان جمال و دانش دور
خلق او هست بی ریا و نفاق
خلق او هست بی خلاف و شقاق
هم نکو خلق و هم نکو گفتار
هم نکو خط و هم نکو دیدار
آنچه گوش از کمال خواجه شنید
چشم از او صد هزار چندان دید
جان و دل را حدیقه و مونس
عقل و گل را شمامه و مجلس
کانچه دارد ز خلق او اطراف
آهوی چین ندارد اندر ناف
روح دیدار و عقل گفتارست
دولت ایثار و ملت آثارست
فضل او در زمان چنان فاشست
که ادب بر درش چو فراشست
از پی جاه و خدمت سلطان
نه برای فلانک و بهمان
قبلهٔ فاضلان ستانهٔ اوست
سرمهٔ عقل گرد خانهٔ اوست
مال خود چون خیال بگذارد
وآن سلطان چو جان نگه دارد
صورتش ابتدای قوت روح
سیرتش انتهای سورهٔ نوح
کرده از بهر حق بکرد و بگفت
عادتش عدت وفا را جفت
در ره شاکری فریشته وش
راست محنت کن است و محنت کش
پیش او از برای سود و زیان
صدهزاران دلست و یک فرمان
همچو عقل از کی و که و چه و چون
فکرتش پی برد درون و برون
از پی آفتاب دهرآرای
زو برد مشتری اصابت رای
رای او قطب دولت مردان
ملک و دین گرد رای او گردان
همچو عقل از ورای چرخ کبود
دیده نابوده هرچه خواهد بود
پیش رایش نماند پوشیده
بر فلک هیچ روی پوشیده
فهمش از جام جم نیاید کم
که همه بودنی بدید چو جم
دل او از برای به دانی
هست مشکات نور ربانی
اثر لطف او چو آب زلال
خاک روب درش اثیر جلال
نیست در کارگاه صنع خدای
کار بندی چو خواجه کارگشای
چون سرانگشت او قلم گیرد
چار طبع عدو الم گیرد
عقدی از در کشد ز نوک قلم
چون ز سر بر بیاض ساخت قدم
پست بالاست پیش عزش عرش
تنگ پهناست پیش فرش فرش
ابر گریان ز دست و دست گهش
صبح خندان ز خاک بوس رهش
هست در رشک آن کف و گفتار
آب دریا و لؤلؤ شهوار
برده آب بهار و آوازه ش
لب خندان و چهرهٔ تازه ش
پیش سر خدایگان از هوش
هر زمان حلقه ای کند در گوش
گر فلک نیست کلک او هرگاه
از گریبان چرا برآرد ماه
در یکی فضل او تأمل کن
عقل را مال و روح را مل کن
تا نبینی به چشم عقل و یقین
در دو خط صد نگارخانهٔ چین
درج کرده چو سایه و خورشید
در شب و روز نام بیم و امید
از خط او که دنیی و دینست
دیده گل بین و عقل گل چینست
همتش آسمان و خلق ملک
خاطرش آفتاب و کلک فلک
خط او در هوای گلبن راز
پشت طاوس دان و سینهٔ باز
زاده از روح کلک و نور یقین
شب و روز جهان دولت و دین
زردهٔ عقل زردی خامه ش
ادهم دین سیاهی نامه ش
هرکرا نیست چون قلم رایش
قلم او قلم کند پایش
خط او خط جان اسرافیل
کلک او کیل رزق میکائیل
صورت خط او که در نامه ست
چون نسیم بهارخوش جامه ست
کلک او همچو نوک دیده کشان
خط او همچو غمزه های خوشان
شحنهٔ راه دین صلابت او
روح قدسی کمین مثابت او
نیست پوشیده زو قلیل و کثیر
نز نقیر ایچ چیز و نز قطمیر
جاه او همچو ماه ملک نگار
کلک او همچو تیغ کارگذار
به امان و به خلق حور و پری
در تباشیر بشر او بشری
برده بیخ سخاش تا عیوق
میوه و برگ و شاخ و نرد و عروق
طیب ذکرش غذای روح ملک
طول عمرش مدار دور فلک
باد امرش چو امر روح ملک
باد عمرش چو عمر نوح و لمک
عقل با وی نشسته در مکتب
علم از وی گرفته علم و ادب
روح بر مرکب عنایت اوست
عقل در مکتب هدایت اوست
به گه ضبط مال و عقد حسیب
ساحران را زند به علم آسیب
کرده از بر به قدرت خلاق
حاجت آید مطالعت به کتاب
او ز حالی که شاه از او جوید
همه از بر به جمله برگوید
ملک عالم برش معاینه شد
دل او بر مثال آینه شد
حبذا رای روشن و پاکش
که فلک گشت تختهٔ خاکش
خامه اندر بنان او گه سیر
بگشاید به خلق بر در خیر
بر سر انگشت وی چو گشت سوار
آن لطیف نحیف زرد و نزار
دوستان را کند دو رخ چون لعل
دشمنان را کند سیاه چو نعل
انده دشمن است و شادی دوست
خیر و شر بسته در زبانهٔ اوست
شب آبستنست خامهٔ او
گشت مضمر ز فتح نامهٔ او
زان زبان سیاه و شخص سپید
گشته دشمن ز جان خود نومید
تن سپید و سیاه منقارش
همه ساله غذا شده قارش
در شود هر زمان به بحر سیاه
برکشد در ز بهر تاج و کلاه
هست همواره با دل بیدار
در همه کار عاقل و هشیار
مال دنیا اگر ورا باشد
همه بر زایرانش بر پاشد
چیز را در دلش نماند محل
زان ورا نیست در زمانه بدل
گرچه رنگش گناه را ماند
به گه سیر ماه را ماند
ساعتی با دلش چو رهبر شد
سایه بان زمانه جانور شد
خیمهٔ عمر او هزار طناب
ماه خیمه ش برابر مهتاب
تا ورا شاه شرق تمکین داد
ملک را صدهزار تزیین داد
کار ملکت به کاردان فرمود
لاجرم رونق دول بفزود
چیست بهتر در این جهان جهان
مرد را کار و کار را مردان
این هم از بخت شاه مشرق بود
که بدو رونق عمل بفزود
لاجرم عالمی برآسودند
به حیات و به مال بر سودند
که کسی را گماشت شه به جهان
که نخواهد به هیچ خلق زیان
به قلم قسم کرد هفت اقلیم
هیچ ناکرده ظلم دانگی سیم
حاکم مملکت چنین باید
تا ز عدلش جهان برآساید
تا جهانست عمر خسرو باد
که مر او را چنین مثابت داد
باد تا باد ملک را بازار
شاه از او او ز شاه برخوردار
باد تا باد شکل خط همه طول
به خدای و خدایگان مشغول
شاه را باد عمر تا جاوید
خواجگانش چو ماه و چون خورشید
صاحب عادل آن صفی وفی
صدر دیوان و خواجه مستوفی
چشم بد دور ازین چنین دو وزیر
که ندارند در زمانه نظیر
English translation
Khwaja Abu Nasr, the deputy of the minister, May the evil eye be far from that beauty and wisdom. His character is without hypocrisy or pretense, His character is without conflict or discord. He is of good character and good speech, Of fine handwriting and pleasant countenance. Whatever the ear heard of the master's perfection, The eye beheld a hundred thousand times more of it. He is a garden and companion to the soul and heart, A perfume and assembly to reason and the rose. For whatever fragrance the horizons possess of his character, The musk-deer of China does not hold in its navel. He is the spirit of vision and the intellect of speech, The wealth of selflessness and the legacy of the nation. His merit is so renowned in this age, That etiquette serves at his door like a chamberlain. For the sake of the Sultan's dignity and service, And not for this or that insignificant person. His threshold is the sanctuary of the learned, The dust of his house is collyrium for the intellect. He lets go of his own wealth like a passing phantom, But guards that of the Sultan as if it were his own soul. His form is the beginning of the soul's nourishment, His character is the pinnacle of the Chapter of Noah. He has acted and spoken for the sake of the Truth, His habit is wedded to the preparation of loyalty. In the path of gratitude, like an angel, He is truly a strive-maker and pain-bearer. Before him, for the sake of profit and loss, Are a hundred thousand hearts, yet but a single command. Like the intellect, regarding when, who, what, and how, His contemplation penetrates the inner and the outer. Following the sun that adorns the era, Jupiter derives from him the rectitude of judgment. His judgment is the pole-star of the rule of great men, Kingdom and religion revolve around his counsel. Like the intellect, from beyond the blue sphere, He has foreseen whatever is yet to be before it exists. Before his judgment, nothing remains hidden, No veiled face upon the heavens. His understanding is not inferior to Jamshid's cup, For like Jam, he saw all things that are to happen. His heart, for the sake of higher knowledge, Is the niche of divine light. The trace of his grace is like pure water, The sweeper of his door is the ether of majesty. There is not, in the workshop of God's creation, An administrator and problem-solver like the master. When his fingertip takes up the pen, The four humors of the enemy are seized with affliction. He draws a necklace of pearls from the tip of the pen, When he steps upon the white paper from its top. High is low before his glory, even the Throne, And narrow is the expanse of earth before his carpet. The cloud weeps out of envy of his hand and bounty, The dawn smiles from kissing the dust of his path. Envious of that hand and speech are The water of the sea and the royal pearl. His smiling lip and fresh countenance Have surpassed the luster and fame of spring. In the presence of the masters of secrets, out of wisdom, Every moment he places a ring of servitude in his ear. If his pen is not the celestial sphere, Why then does it draw forth the moon from its collar? Contemplate but one of his virtues, Rub the intellect and make the spirit like wine. Until you see, with the eye of intellect and certainty, A hundred picture-galleries of China within two lines of his writing. Enclosed like the shadow and the sun, Within night and day, the names of fear and hope. Calligraphy which is world and religion, The eye sees roses and the intellect gathers them. His high resolve is the sky and his nature is angelic, His mind is the sun and his pen is the celestial sphere. Know his calligraphy in the breeze of the secret rosebush To be like the peacock's back and the falcon's breast. Born of the spirit of the pen and the light of certainty, Are the night and day of the world of state and religion. The yellowness of his reed-pen is the yolk of intellect, The blackness of his scroll is the dark steed of faith. Whoever has not a judgment like his pen, His pen will sever his foot. His writing is the line of Israfil's life, His pen is the measure of Michael's sustenance. The form of his writing that is in the letter, Is well-dressed like the spring breeze. His pen is like the tip of the eye-liners of beauties, His writing is like the coquettish glances of the beautiful. The guardian of the path of religion is his firmness, The Holy Spirit is the lowest of his stations. Neither little nor much is hidden from him, Not a single speck nor a date-stone's groove. His stature is like the moon that adorns the kingdom, His pen is like an effective sword. In safety and in the character of houris and fairies, In the good tidings of humanity, he is a true human. The root of his generosity has reached Capella, Along with its fruit, leaves, branches, stems, and veins. The fragrance of his remembrance is the food of the angel's spirit, The length of his life is the orbit of the heavens' rotation. May his command be like the command of the angel of spirit, May his life be like the life of Noah and Lamech. Reason sat with him in school, Knowledge acquired science and etiquette from him. The spirit is mounted on the steed of his favor, Reason is in the school of his guidance. At the time of securing wealth and calculating accounts, He strikes magicians with his knowledge. And should there be need to study a book, By the Creator's power, he has committed it to memory. Whatever condition or matter the King seeks from him, He recites it all entirely from memory. The kingdom of the world was clearly visible to him, His heart became like a mirror. How wonderful is his bright and pure judgment, For which the sky became a writing tablet of dust! The reed-pen in his fingers, during its movement, Opens the door of goodness to the creation. When that delicate, slender, yellow, and thin reed-pen Becomes mounted upon his fingertip, It turns the two cheeks of friends ruby-red, And makes the enemies black as a horseshoe. The sorrow of the enemy and the joy of the friend, Good and evil are bound up in its tongue. His pen is like a pregnant night, From which victory letters became concealed. From that black tongue and white body of the pen, The enemy has become hopeless of his own life. Its body is white and its beak is black, All year round its food has been ink. Every moment it dives into the black sea, To draw forth pearls for the crown and diadem. He is always of an awake heart, Wise and vigilant in every affair. If the wealth of the world belongs to him, He scatters it all upon his visitors. No place remains in his heart for material things, Therefore, he has no substitute in the world. Though its color resembles sin, In its motion, it resembles the moon. When it became a guide to his heart for an hour, The canopy of time became animate. The tent of his life has a thousand ropes, The crescent-moon of his tent is equal to the moonlight. Since the King of the East gave him authority, He gave a hundred thousand adornments to the kingdom. He entrusted the kingdom's affairs to the capable, Consequently, the prosperity of governments increased. What is better in this fleeting world Than work for the man and men for the work? This too was from the good fortune of the King of the East, That through him, the prosperity of action increased. Consequently, a whole world found peace, And profited in life and in wealth. For the King appointed someone over the world Who wishes no harm to any creature. He divided the seven realms by the pen, Without committing oppression of even a single copper coin. The ruler of a kingdom ought to be like this, So that the world may find peace through his justice. As long as the world exists, may the King's life endure, Who granted him such a high station. May the market of the kingdom be prosperous forever, The King benefiting from him, and he from the King. May the form of writing be ever extensive, Occupied with God and the sovereign. May the King have eternal life, And his masters be like the moon and the sun. The just master, that pure and loyal one, The head of the divan and the master of accounts. May the evil eye be far from such two ministers, Who have no equal in the world.
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Humanities
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Persian Literature Prerequisite Course
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بخش ۱ - در توحید باری تعالی / Section 1 - On the Oneness of God the Exalted
بخش ۲ - فصل معرفت / Section 2 - The Chapter on Gnosis
بخش ۳ - فصل وحدت و شرح عظمت / Section 3 - Chapter on Unity and Description of Grandeur
بخش ۵ - فصل اندر صفا و اخلاص / Section 5 - Chapter on Purity and Sincerity
بخش ۴ - فصل تنزیه قِدم / Section 4 - The Chapter on the Sanctification of Pre-Eternity
بخش ۶ - التمثیل فی شأن من کان فی هذه اعمی فهو فیالآخرة اعمی جماعة العمیان و احوال الفیل / Section 6 - The Allegory regarding 'Whoever is blind in this world will be blind in the Hereafter': The Group of Blind Men and the States of the Elephant
بخش ۸ - التمثیل فی اصحاب تمنّی السوء / Section 8 - The Allegory regarding those who wish for evil
بخش ۷ - فصل فی ان الاستواء معقول والکیفیة مجهول / Section 7 - The Chapter on: 'Establishing' is Comprehensible and the Modality is Unknown
بخش ۱۰ - فی الحفظ و المراقبة / Section 10 - On Vigilance and Self-Observation
بخش ۱۱ - التمثیل فی قوم یؤتون الزکوة / Section 11 - The Allegory regarding a People Who Pay the Alms
بخش ۱۲ - فیالحکمة و سبب رزق الرازق / Section 12 - On Wisdom and the Cause of the Provider's Provision
بخش ۱۳ - فیالهدایة / Section 13 - On Guidance
بخش ۱۵ - فصل اندر تقدیس / Section 15 - Chapter on Sanctification
بخش ۱۶ - داستان باستان / Section 16 - The Ancient Tale
بخش ۱۷ - التمثیل لقوم ینظرون بعین الاحوال «مُناظِرَة الوَلَدِ مَعَ الوالِد» / Section 17 - The Allegory for a People Who Look with the Eye of Squinting (or Circumstances): 'The Debate of the Son with the Father'
بخش ۱۸ - فی زینةالاطفال / Section 18 - On the Ornament of Children
بخش ۲۱ - فیالامثال والمواعظ، الفقر سواد الوجه والدُّنیا دارالزوال و تغیّرالاحوال و الانتقال / Section 21 - On Proverbs and Admonitions: Poverty is the Blackness of the Face, and the World is the House of Decline, the Change of Conditions, and Passing Away
بخش ۲۲ - در بینیازی از غیر خدایتعالی و دست در وی زدن از سر حقیقت / Section 22 - On Independence from Other Than God the Exalted and Clinging to Him in Truth
بخش ۲۳ - اندر تضرّع و عجز / Section 23 - On Supplication and Helplessness
بخش ۲۴ - حکایت / Section 24 - The Tale
بخش ۲۵ - اندر ذکر و یاد کردن / Section 25 - On Remembrance and Recollection
بخش ۹ - فصل اندر درجات / Section 9 - Chapter on Degrees
بخش ۲۶ - حکایت / Section 26 - The Tale
بخش ۲۷ - تمثیل / Section 27 - The Allegory
بخش ۲۸ - فی ذکر دارِالبقاء / Section 28 - On the Mention of the Abode of Eternity
بخش ۲۹ - اندر وجود و عدم / Section 29 - On Existence and Non-Existence
بخش ۳۰ - اندر شُکر گوید / Section 30 - On Gratitude
بخش ۳۱ - اندر شکر و شکایت / Section 31 - On Gratitude and Complaint
بخش ۳۲ - فیاطّلاعه علی ضمائرالعباد / Section 32 - On His Awareness of the Inner Secrets of the Servants
بخش ۱۴ - فی المُجاهدة / Section 14 - On Spiritual Struggle
بخش ۳۳ - اندر رزق گوید / Section 33 - On Sustenance
بخش ۳۴ - تمثیل / Section 34 - A Parable
بخش ۳۵ - حکایت مرغ با گبر / Section 35 - The Tale of the Bird and the Zoroastrian
بخش ۳۶ - تمثیل در بیداری / Section 36 - Parable on Wakefulness
بخش ۳۷ - اندر حب و محبت / Section 37 - On Love and Affection
بخش ۳۸ - اندر تجرید گوید / Section 38 - On Detachment
بخش ۱۹ - فصل اندر صُنع و قدرت / Section 19 - Chapter on Divine Artistry and Power
بخش ۳۹ - فی سلوک طریق الآخرة / Section 39 - On Treading the Path of the Hereafter
بخش ۴۰ - التمثیل لابن الغافل والاب العاقل / Section 40 - The Allegory of the Heedless Son and the Wise Father
بخش ۴۱ - حکایت / Section 41 - The Tale
بخش ۴۲ - فیالتوکّل / Section 42 - On Trust
بخش ۴۳ - فی توکل العجوز / Section 43 - On the Trust of the Old Woman
بخش ۴۴ - ایضاً فیالتوکّل / Section 44 - Also on Trust
بخش ۲۰ - فی تعظیم قدره / Section 20 - On Exalting His Power
بخش ۴۵ - التمثّل فیالرؤیاء و تعبیره و هو ثمانون رؤیا عجیبة / Section 45 - On Exemplification in Dreams and Its Interpretation, which includes eighty wondrous dreams
بخش ۴۶ - فی رؤیا الأثواب و الأوانی / Section 46 - On Dreaming of Garments and Vessels
بخش ۴۷ - فی رؤیا الصنّاعین / Section 47 - On the Dreams of Artisans
بخش ۴۸ - فی رؤیا البهائم / Section 48 - On Dreaming of Beasts
بخش ۴۹ - فی رؤیاء السّباع / Section 49 - On Dreaming of Predatory Beasts