بخش ۳ - فی خصاله و فضیلته / Section 3 - On His Qualities and His Virtue
Original content
عرش اگر بارگاه را زیبد
شاه بهرامشاه را زیبد
شه به پشت حقیقت اعجاز
نه ز روی گزاف و راه مجاز
هست چرخ ارچه هرزه دوران نیست
هست قطب ارچه تنگ میدان نیست
هست از این روی سال و ماه مقیم
نه ز رای سخیف و طبع سقیم
روز و شب با نماز و با روزه
پاسبانان بام پیروزه
تا شود هم ز عدل و جاه ملک
کمر کوه چون کلاه ملک
اجل از عدل اوست مرگ طلب
خرد از علم اوست برگ طلب
عدد نام اوست هرکه نبشت
هشت بهرامشاه و هشت بهشت
بهر هم نامی شه خوش نام
سرخ رویست بر فلک بهرام
از پی شرع و ملک بسته کمر
بیش علم علی و عدل عمر
از پی دوستان به گاه جدال
چون شود پشت دشمنش چون دال
عزم او تیغ ملک را ظفرست
حزم او تیر مرگ را سپرست
زیر حکمش برای جان و جهان
صدهزاران دلست و یک فرمان
سست پای از نهیب او سیحون
نرم گردن به حکم او گردون
بکند ار بخواهد از یک مشت
شکم خصم طبل و مهرهٔ پشت
برگ سازنده از دو دست چو میغ
مرگ سوزنده از زبان چو تیغ
روح تازه شود ز دیدارش
مرده زنده شود ز گفتارش
سیرت انبیاست سیرت او
حبذا سیرت و سریرت او
مهدی وقت و عیسی حالست
روز و شب در جدال دجال است
بهر بازوش از خط تقدیس
ظفر و فتح گشته حرز نبیش
سیرت او روان صورت چین
سطوت او ستون خیمهٔ دین
من چه گویم که خود در احکامش
دولت از چرخ داد پیغامش
که چو تو خسروی ز بهر سریر
کم نشاند قضا و حکم قدیر
عرش و کرسی که است از اندازه ش
روز روزی کم است از آوازه ش
گرز او را فلک خمیده کشد
رایتش را فلک به دیده کشد
چرخ بیند چو بازوی چیرش
رخت بر گاو برنهد شیرش
شه چو شد بر شکار شیران چیر
شیر گردون شود ز شیری سیر
اخترانی که حال گردانند
تیغ او را اجل گیا دانند
تیغ او بر عدوست رستاخیز
شیر شمشیر او بدید گریز
سایهٔ تیغ شاه بر چیپال
هست پیوسته مهمترین اهوال
آفت جان دشمن آن تیغست
راست گویی که مرگ را میغست
گویی اهل وجود و اهل عدم
هست در تیغ شاه هر دو به هم
عدد کشتگان تیغ ملک
ذره ای تیغ با ستیغ ملک
ذره ای تیغ شاه با صولت
عدد خلق کشت در خلقت
گه بخندد به دست شاه درون
گاه بر دشمنانش گرید خون
از تف بیلک شه کشور
شاه مرغان بیفکند شهپر
ور سر گرز او زمین سپرد
جوشن ماهی ثری بدرد
نیزه را شاه اگر بجنباند
مرگ آسوده را برنجاند
هرکه او خصم شهریار بود
مور گردد اگرچه مار بود
برگرد ار بخواهد او آسان
آسمان را طبق طبق به سنان
تیغ هم نام او چو کین توزد
کین گذاری ز تیغش آموزد
خنجر او چو قاف کاف شود
قاف از آن بوی نافه ناف شود
ز ابر شمشیر ملک بارنده
چمن ملک را نگارنده
گر بخواهد ز تیغ موسی وار
خشک رودی کند ز دریا بار
برکشد دست شاه دین پرور
ناخن پای دشمن از رگ سر
برکشد عکس تیغ سینه درش
دلق کیمخت کرگدن ز سرش
خنجرش روی روز و ملک افروز
بیلکش رای سوز و ایلک دوز
از سنانش آنکه جنگ رای کند
همه تن پر دهن چو نای کند
گرز او تا بدید بر هامون
مهره باش است گردن گردون
زخم گرزش نمود در یک دم
کشته و گور کرده هر دو به هم
صفت گرزش ار کنند ادا
کوه را دم فرو شود ز صدا
مرکبش چون جز از پی حق نیست
اشهب و ادهم است ابلق نیست
روز میدان چو در دل آرد رای
سر قاورن کند چو دست از پای
هیبت گرز و تیر او در جنگ
چون کند سوی دشمنان آهنگ
دست و تیغش قضا شمار و قدر
تیر و رمحش بسان شمس و قمر
چون تگ اشبهش به تاز آمد
عرب اندر عجم فراز آمد
زانکه باد دبور یک تگ اوست
دود آتش ز رشک یک رگ اوست
مهد او بر فراز پیل جموح
کوه جودیست بر سفینهٔ نوح
چون به خصمش پیامی آمد ازو
دم فرو رفت و جان برآمد ازو
جان که از پیش تیغ او گذرد
همچو زنگی در آینه نگرد
همت شاه چون به خیز آمد
از شبش روز رستخیز آمد
آنکه با تیغهای هند نژاد
هند را همچو طبع خویش گشاد
روم و چین را چو وقت آن آید
چون دل و دست خویش بگشاید
لوهووری ز بس که غم بود
راست ماتم سرای آدم بود
نکند قصد هیچ خصم زبون
که ز مردار کس نریزد خون
خصمش از بیم او گه پیکار
نقش روی سپر کند زنهار
این بود چاره اش گه زلزال
که ز هیبت زبانش گردد لال
هرکه بر یاد او ننوشد می
حنجرش خنجری کند بر وی
شود ار دست برنهد به کمان
چرخ از بیم چرخ او حیران
خصمش ار دم زند ز پیکانش
ره نماید زه گریبانش
جور چون دور چرخ دم در دم
کار چون زلف یار خم در خم
مردشان پیش مرگ نقش انگیز
اسبشان خامه گوش و رنگ آمیز
بهر رنگ و نوا و جامهٔ برگ
همه نقش و نگارخانهٔ مرگ
از دل هندوان رمیده حیات
ترک ترکان شمرده در درکات
خصلت زشت گرگ در رمشان
حق غماز یار بر همه شان
رحمتی بوده آب و گل همه را
زحمتی گشته جان و دل همه را
بر سر از تیغ او ز عشق علم
جانشان بوسه زن رود چو قلم
گرچه چون کوه سنگتن بودند
پیش او آهنین کفن بودند
کرده ناگه ز فر تاج و کلاه
شاه بهرامشاه رامشگاه
فتنه را آب ریخت بر آتش
زان که اوبار مار دریا کش
بر دل از بیم و هیبت شه شان
کمر کوه شد کمرگهشان
بوده فرزند خصم را به اثر
زادن و مردنش به هم چو شرر
تیغ او خصم را عقیم کند
بچهٔ خصم را یتیم کند
چون شه آهنگ سوی ایشان کرد
جمع صدساله را پریشان کرد
شد چو با عدل شهریار عدیل
خوش هوا هم چو سدرهٔ جبریل
عدل چون بر جهان امیر شود
آهو از شیر سیر شیر شود
ارم از امر اوست هفت جحیم
حرم از امن اوست هفت اقلیم
خصم زادش ز بیم اهریمن
جان به رشوت پذیرد اندر تن
خصم در پیش گرزش ار ملکست
همچو دنبال گزدم فلکست
دشمنانش به روز کین و نبرد
چون زن مستحاضه گردد مرد
ار همه اورمزد و کیوانند
جمله حیران چو نقش ایوانند
عزم شه کامران چو گردون بود
خصم شه پی سپر چو هامون بود
خصم اگر داد پشت هیچ مگوی
کز زمین پشت به ز گردون روی
مغز را حزم شاه خواب ببرد
آب را عزم شاه آب ببرد
تا بدید آتش ملک سیحون
هم بر آن آب نیست آب اکنون
نوک رمحش بمانده تا محشر
فرجه ای در میان خصم و سقر
رای رایان به تیغ کرده قلم
نیزه از شیر کرده شیر علم
تو خبر داری ار نه آگاهی
زان مصاف و صف شهنشاهی
صفت او در آن صف ناورد
زن به آمویه به کند از مرد
هرکجا شاه ما بتافت عنان
شیر رایات او شود همه جان
هرچه از جان دشمنش کاهد
همه در جان شه بیفزاید
تربت غزنه تا بنا افتاد
اینچنین شاه را ندارد یاد
English translation
If the Throne of God is fitting for a court, It is fitting for King Bahramshah. The King, supported by the truth of miracles, Not by way of exaggeration or metaphorical paths. Though the heaven is not rotating in vain, He is the axis, though the field is not narrow. For this reason, the year and month are established, Not from weak judgment or a diseased nature. Day and night, with prayer and fasting, Are the guardians of the turquoise dome. So that through the justice and dignity of the king, The belt of the mountain becomes like the cap of the king. Death itself seeks demise from his justice, Wisdom seeks sustenance from his knowledge. Whoever writes the number of his name, Finds eight Bahramshah and eight heavens. For sharing the name of the well-reputed king, Mars is red-faced with pride in the sky. Having girded his loin for the sake of Sharia and the kingdom, More so with the knowledge of Ali and the justice of Umar. For the sake of friends, in times of battle, How the back of his enemy becomes bent like the letter Dal. His resolve is victory for the sword of the kingdom, His prudence is a shield against the arrow of death. Under his command, for the sake of soul and world, Are hundreds of thousands of hearts, yet a single decree. The Jaxartes river is slow-footed from his dread, The heaven has a soft neck submissive to his decree. If he wishes, with a single blow of his fist, He can make the enemy's belly a drum and smash his backbone. Providing sustenance from his two hands like a cloud, Bringing burning death from his tongue like a sword. The soul is refreshed by his sight, The dead is brought to life by his speech. His character is the character of the prophets; How wonderful are his character and inner nature! He is the Mahdi of the time and the Jesus of the present, Day and night in battle with the Antichrist. For his arm, from the line of sanctification, Victory and conquest have become his prophetic amulet. His character is the soul of the form of China, His majesty is the pillar of the tent of religion. What can I say? For indeed in his decrees, Fortune brought him a message from the heavens, That a king like you for the throne, Destiny and the decree of the Almighty have rarely seated. The Throne and the Footstool are small compared to his stature, The day's daily bread is less than his fame. The sky bears his mace with a bent back, The sky rubs his banner on its eyes in reverence. When the sphere of heaven sees his dominant arm, Its Lion packs its baggage upon the Bull. When the king prevails in hunting lions, The celestial lion becomes sated with lionhood. The stars that change the states of things, Deem his sword to be the herb of death. His sword is resurrection to the enemy, The lion fled upon seeing his sword. The shadow of the king's sword over Jaipal Is constantly the most momentous of terrors. That sword is the plague of the enemy's soul; Truly you would say it is the cloud of death. You would say the people of existence and the people of non-existence Are both gathered together in the king's sword. The number of those slain by the king's sword— A tiny particle of his sword with the peak of the king's glory. A tiny speck of the king's majestic sword Slew a multitude of creatures in creation. Sometimes it laughs in the hand of the king, Sometimes it weeps blood upon his enemies. From the heat of the king's arrow, The king of birds sheds its primary feathers. And if the head of his mace treads upon the earth, It tears the armor of the fish of the abyss. If the king shakes his spear, He troubles death itself, which was otherwise at peace. Whoever is an enemy of the king, Becomes an ant, even if he were a serpent. He can easily turn the heavens layer by layer With his spearhead, if he so desires. When the sword of his namesake wages war, It learns the art of vengeance from his sword. When his dagger becomes 'Qaf' and 'Kaf', Mount Qaf becomes a navel of musk from its scent. From the cloud of the king's raining sword, The meadow of the kingdom is adorned. If he wishes, with his Moses-like sword, He can make a dry path out of the ocean. The hand of the religion-protecting king can pull The toenail of the enemy through the vein of his head. The reflection of his chest-tearing sword strips The shagreen leather garment of the rhinoceros from its head. His dagger illumines the face of the day and the kingdom, His arrow destroys judgment and pierces the Turkish ruler. Whoever wages war against his spearhead, Has his entire body turned into mouths, like a flute. Since the neck of the heaven saw his mace on the plain, It is a broken collarbone. The blow of his mace displayed in a single instant The slain and the buried, both together. If they describe the qualities of his mace, The mountain's breath is choked by the echo. Since his steed is only for the sake of Truth, It is grey and black, not piebald. On the day of battle, when he resolves in his heart, He severs the head of Qavurd like limbs. The dread of his mace and arrows in war, When he marches towards the enemies. His hand and sword are the arbiters of destiny and decree, His arrow and spear are like the sun and the moon. When the gallop of his grey steed began, The Arab drew close to the Persian. For the west wind is but a single gallop of his, And the smoke of fire is from the envy of one of his veins. His litter atop the stubborn elephant Is like Mount Judi upon Noah's Ark. When a message came from him to his enemy, The enemy's breath was held and his soul departed. The soul that passes before his sword Beholds itself like a dark-faced Ethiopian looking in a mirror. When the king's resolve was aroused, From his night arose the day of resurrection. He who with Indian-born swords Conquered India, matching his own temperament. When the time comes for Rome and China, He will open them as he opens his own heart and hand. Lahore, out of excessive grief, Was truly the mourning house of Adam. He does not target any weak foe, For no one spills the blood of a corpse. His enemy, out of fear of him in battle, Begs for quarter like an image painted on a shield. This is his remedy in times of earthquake, That his tongue becomes dumb with awe. Whoever does not drink wine to his memory, Let his throat be slit by a dagger. If he puts his hand to the bow, The celestial sphere is bewildered by fear of his bow. If his enemy breathes a word about his arrows, The bowstring shows him the way to his collar. Oppression is like the rotation of the heavens, breath by breath; Affairs are like the tresses of the beloved, curl upon curl. Their men, in the face of death, are sketchers of forms, Their horses are pen-eared and colorful. For the sake of color, melody, and garments of leaves, They are all paintings in the picture gallery of death. Life has fled from the hearts of the Indians, Leaving the Turks counted among the lowest depths. The ugly trait of the wolf is in their flock, The Truth is a revealer of secrets over them all. What was once a mercy to the water and clay of everyone, Has now become a torment to the soul and heart of everyone. Over their heads, from his sword of passionate banner, Their souls depart, kissing like a pen. Though they were stone-bodied like mountains, Before him they wore iron shrouds. Suddenly, through the glory of the crown and cap, King Bahramshah established a place of ease. He poured water upon the fire of sedition, For he is the sea-swallowing devourer of serpents. In their hearts, from the fear and majesty of the king, The mountain range became their waist. The child of the enemy, in effect, Had his birth and death together like a spark. His sword renders the enemy barren, And makes the enemy's child an orphan. When the king marched toward them, He dispersed their hundred-year gathering. When he became the peer of the king's justice, The air became pleasant like Gabriel's Lote-tree. When justice becomes the ruler of the world, The deer becomes sated on the milk of the lion. The garden of Iram is seven hells without his command, The Sanctuary is seven climes of safety because of his security. The child of his enemy, out of fear of the devil, Accepts the soul into his body only as a bribe. Even if the enemy before his mace is an angel, He is like the tail of the celestial Scorpio. On the day of vengeance and battle, his enemies Behave like a menstruating woman, though they are men. Even if they are all Jupiter and Saturn, They are all bewildered like paintings on a palace wall. The successful resolve of the king was like the heavens, The enemy of the king was trodden underfoot like the desert. If the enemy turned his back, say nothing, For a back on the ground is better than facing the heavens. The king's prudence deprived the brain of sleep, The king's resolve took away the luster of water. Since the fire of the kingdom saw the Jaxartes river, That water is no longer water now. The tip of his spear remains until Judgment Day As a barrier between the enemy and hell. He has chopped down the judgments of rulers with his sword, And made the spear of the lion into a banner's lion. Do you have news, or are you aware, Of that royal battlefield and battle-array? His description in that battle line Makes women perform better on the Amu Darya than men. Wherever our king turns his reins, The lions on his banners come fully alive. Whatever decreases from the life of his enemy, Is entirely added to the life of the king. Since the foundation of Ghazna's soil was laid, It does not remember such a king.
0
1
Tags
Humanities
Literature
Persian Literature Prerequisite Course
Related
بخش ۱ - مقدّمهٔ رفاء / Section 1 - The Preface of Rafa
بخش ۱ - در توحید باری تعالی / Section 1 - On the Oneness of God the Exalted
بخش ۲ - فصل معرفت / Section 2 - The Chapter on Gnosis
بخش ۳ - فصل وحدت و شرح عظمت / Section 3 - Chapter on Unity and Description of Grandeur
بخش ۵ - فصل اندر صفا و اخلاص / Section 5 - Chapter on Purity and Sincerity
بخش ۴ - فصل تنزیه قِدم / Section 4 - The Chapter on the Sanctification of Pre-Eternity
بخش ۶ - التمثیل فی شأن من کان فی هذه اعمی فهو فیالآخرة اعمی جماعة العمیان و احوال الفیل / Section 6 - The Allegory regarding 'Whoever is blind in this world will be blind in the Hereafter': The Group of Blind Men and the States of the Elephant
بخش ۸ - التمثیل فی اصحاب تمنّی السوء / Section 8 - The Allegory regarding those who wish for evil
بخش ۷ - فصل فی ان الاستواء معقول والکیفیة مجهول / Section 7 - The Chapter on: 'Establishing' is Comprehensible and the Modality is Unknown
بخش ۱۰ - فی الحفظ و المراقبة / Section 10 - On Vigilance and Self-Observation
بخش ۱۱ - التمثیل فی قوم یؤتون الزکوة / Section 11 - The Allegory regarding a People Who Pay the Alms
بخش ۱۲ - فیالحکمة و سبب رزق الرازق / Section 12 - On Wisdom and the Cause of the Provider's Provision
بخش ۱۳ - فیالهدایة / Section 13 - On Guidance
بخش ۱۵ - فصل اندر تقدیس / Section 15 - Chapter on Sanctification
بخش ۱۶ - داستان باستان / Section 16 - The Ancient Tale
بخش ۱۷ - التمثیل لقوم ینظرون بعین الاحوال «مُناظِرَة الوَلَدِ مَعَ الوالِد» / Section 17 - The Allegory for a People Who Look with the Eye of Squinting (or Circumstances): 'The Debate of the Son with the Father'
بخش ۱۸ - فی زینةالاطفال / Section 18 - On the Ornament of Children
بخش ۲۱ - فیالامثال والمواعظ، الفقر سواد الوجه والدُّنیا دارالزوال و تغیّرالاحوال و الانتقال / Section 21 - On Proverbs and Admonitions: Poverty is the Blackness of the Face, and the World is the House of Decline, the Change of Conditions, and Passing Away
بخش ۲۲ - در بینیازی از غیر خدایتعالی و دست در وی زدن از سر حقیقت / Section 22 - On Independence from Other Than God the Exalted and Clinging to Him in Truth
بخش ۲۳ - اندر تضرّع و عجز / Section 23 - On Supplication and Helplessness
بخش ۲۴ - حکایت / Section 24 - The Tale
بخش ۲۵ - اندر ذکر و یاد کردن / Section 25 - On Remembrance and Recollection
بخش ۹ - فصل اندر درجات / Section 9 - Chapter on Degrees
بخش ۲۶ - حکایت / Section 26 - The Tale
بخش ۲۷ - تمثیل / Section 27 - The Allegory
بخش ۲۸ - فی ذکر دارِالبقاء / Section 28 - On the Mention of the Abode of Eternity
بخش ۲۹ - اندر وجود و عدم / Section 29 - On Existence and Non-Existence
بخش ۳۰ - اندر شُکر گوید / Section 30 - On Gratitude
بخش ۳۱ - اندر شکر و شکایت / Section 31 - On Gratitude and Complaint
بخش ۳۲ - فیاطّلاعه علی ضمائرالعباد / Section 32 - On His Awareness of the Inner Secrets of the Servants
بخش ۱۴ - فی المُجاهدة / Section 14 - On Spiritual Struggle
بخش ۳۳ - اندر رزق گوید / Section 33 - On Sustenance
بخش ۳۴ - تمثیل / Section 34 - A Parable
بخش ۳۵ - حکایت مرغ با گبر / Section 35 - The Tale of the Bird and the Zoroastrian
بخش ۳۶ - تمثیل در بیداری / Section 36 - Parable on Wakefulness
بخش ۳۷ - اندر حب و محبت / Section 37 - On Love and Affection
بخش ۳۸ - اندر تجرید گوید / Section 38 - On Detachment
بخش ۱۹ - فصل اندر صُنع و قدرت / Section 19 - Chapter on Divine Artistry and Power
بخش ۳۹ - فی سلوک طریق الآخرة / Section 39 - On Treading the Path of the Hereafter
بخش ۴۰ - التمثیل لابن الغافل والاب العاقل / Section 40 - The Allegory of the Heedless Son and the Wise Father
بخش ۴۱ - حکایت / Section 41 - The Tale
بخش ۴۲ - فیالتوکّل / Section 42 - On Trust
بخش ۴۳ - فی توکل العجوز / Section 43 - On the Trust of the Old Woman
بخش ۴۴ - ایضاً فیالتوکّل / Section 44 - Also on Trust
بخش ۲۰ - فی تعظیم قدره / Section 20 - On Exalting His Power
بخش ۴۵ - التمثّل فیالرؤیاء و تعبیره و هو ثمانون رؤیا عجیبة / Section 45 - On Exemplification in Dreams and Its Interpretation, which includes eighty wondrous dreams
بخش ۴۶ - فی رؤیا الأثواب و الأوانی / Section 46 - On Dreaming of Garments and Vessels
بخش ۴۷ - فی رؤیا الصنّاعین / Section 47 - On the Dreams of Artisans
بخش ۴۸ - فی رؤیا البهائم / Section 48 - On Dreaming of Beasts
بخش ۴۹ - فی رؤیاء السّباع / Section 49 - On Dreaming of Predatory Beasts