بخش ۴۴ - مدح پادشاه به ترتیب کواکب و بروج دوازدهگانه / Section 44 - Praise of the King in the Order of the Planets and the Twelve Zodiac Signs
متن و ترجمه / Text and Translation
| آنکه بر مملکت ظهیرست او | خلق را در بهی بشیر است او |
| He who is the supporter of the kingdom, He is the bringer of good tidings of goodness to the people. | |
| عالم بر و آسمان آمان | مایه و مادر نتیجهٔ جان |
| The world of piety and the heaven of security, The source and mother of the result of the soul. | |
| خلق را بر بهی بشیر شده | بر همه مملکت ظهیر شده |
| He has become the bringer of good news of goodness to the people, He has become the supporter for the entire kingdom. | |
| بر عمیدان مملکت سالار | شاه را بر گزیده بر هر کار |
| The commander over the pillars of the kingdom, Chosen by the king for every task. | |
| معتمدگاه دخل و خرج جهان | کرده از بر به جمله درج جهان |
| The trusted place of the income and expenditure of the world, Having memorized all the scrolls of the world. | |
| لذت روح دان خط خوبش | نکند کس به حرف منسوبش |
| Consider his beautiful handwriting the delight of the soul, No one can attribute a fault to his letters. | |
| گشته از درج یک به یک پیدا | همچو برج دوپیکر جوزا |
| Becoming visible one by one from the scroll, Like the constellation of Gemini. | |
| عقل گمره ز شکلهای رفیع | روح واله ز نقشهای بدیع |
| The intellect lost due to its lofty shapes, The soul bewildered by its wondrous patterns. | |
| گر نه ار تنگ مانی است آن خط | از چه خطهای مقله گشت سقط |
| If that writing is not the Artang of Mani, Why did the writings of Muqla become discarded? | |
| با خطش خط خازن و بواب | همچو با آب صافیست سراب |
| With his writing, the writing of the treasurer and the gatekeeper, Is like a mirage compared to clear water. | |
| انس روحست نقطه های خطش | چون گشاد از رخ درر سقطش |
| The intimacy of the soul is the dots of his writing, When he reveals the pearls from his face. | |
| چشم بد دور سخت با معنی ست | همچو ار تنگ خامهٔ مانیست |
| May the evil eye be far, it is very meaningful, It is like the Artang of Mani's pen. | |
| لفظ و معنی به یکدگر جفتست | زان خرد بر خطش برآشفتست |
| Word and meaning are coupled together, Thus the intellect is agitated by his writing. | |
| شود آنگه که او گرفت قلم | تارک عرش پیش او چو قدم |
| When he takes up the pen, The crown of the throne becomes like a footstep before him. | |
| کاغذ نامه همچو روضهٔ نور | صورت حرف زلف بر رخ حور |
| The paper of the letter is like a garden of light, The form of the letter is like a lock of hair on a Houri's face. | |
| در بلاغت ز سرعت قلمش | آب آتش فروز گشت دمش |
| In eloquence, due to the speed of his pen, His breath became a fire-kindling water. | |
| باد بی بد نتیجهٔ دل اوست | داد بی دد دریچهٔ دل اوست |
| The flawless wind is the product of his heart, The justice without cruelty is the window of his heart. | |
| دین ودنیی مسلم دم اوست | زانکه دل کعبهٔ معظم اوست |
| Religion and the world are submitted to his breath, Because the heart is his honored Kaaba. | |
| صادر و وارد عطاجویان | گشته از هر سویی بدو پویان |
| Those arriving and departing, seeking bounty, Have come running to him from every direction. | |
| عالمی از عطاش آسوده | یافته هرچه در دلش بوده |
| A world is comforted by his bounty, Having found whatever was in their hearts. | |
| حرمش همچو کعبه محترمست | خانهٔ او ز کعبه خود چه کم است |
| His sanctuary is respected like the Kaaba, How is his house any less than the Kaaba itself? | |
| صدف در عالم یزدانی | دلش اندر ره مسلمانی |
| A pearl shell in the divine world, Is his heart on the path of Islam. | |
| در میان حریم حرمت او | از برای فزود حشمت او |
| In the midst of the sanctuary of his honor, For the sake of increasing his glory. | |
| دست او با قلم چو یار شود | بر معانی سخن سوار شود |
| When his hand becomes a companion with the pen, He rides upon the meanings of speech. | |
| آب و لؤلؤ و جان صفاوت اوست | ابر و دریا و کان سخاوت اوست |
| Water, pearls, and the soul are his purity, Clouds, sea, and mine are his generosity. | |
| شاه را گاه سر معتمد اوست | در همه کارها ورا مدد اوست |
| He is the king's confidant at the time of secrets, In all affairs, he is his assistant. | |
| صاحب سر خسرو و شاهست | زان ز اسرار ملکش آگاهست |
| He is the keeper of the secrets of the monarch and king, Hence he is aware of the secrets of his kingdom. | |
| هر سخن کز زبان شاه آمد | در دل خواجه اش پناه آمد |
| Every word that came from the king's tongue, Found refuge in the heart of his master. | |
| گشته اسرار ملک معلومش | سر سلطان به جمله مفهومش |
| The secrets of the kingdom have become known to him, The secret of the Sultan is entirely understood by him. | |
| جود او را کرانه پیدا نیست | چون سخایش سحاب و دریا نیست |
| There is no visible shore to his generosity, Like his bounty, there are no clouds or sea. | |
| باد لطفش بزیده بر کشور | نار عنفش بحار کرده شرر |
| The wind of his grace has blown over the country, The fire of his wrath has turned seas into sparks. | |
| کف او بر سحاب رجحان کرد | بحر زا صدهزار تاوان کرد |
| His palm surpassed the clouds, And made the sea pay a hundred thousand fines. | |
| چرخ را نسبت ویست قدیم | دهر را هیبت ویست عظیم |
| For the wheel of heaven, his connection is ancient, For time, his awe is immense. | |
| نیست در مملکت چنو یک تن | گاه تدبیر و رای و گاه سخن |
| There is not a single person like him in the kingdom, At the time of administration, judgment, and speech. | |
| واقف راز شهریار به دل | در دلش راز مملکت حاصل |
| Aware of the secret of the king in his heart, In his heart the secret of the kingdom is attained. | |
| سال و ماه از شد آمد زوار | چون حرم گشته بر صغار و کبار |
| For months and years, from the coming and going of visitors, It has become like a sanctuary for the young and old. | |
| همه با کام دل قرین گشته | همه با ساز و اسب و زین گشته |
| All have become companions with their heart's desire, All have attained gear, horses, and saddles. | |
| حزم او همچو خط او ز جلال | سحر او همچو مال اوست حلال |
| His prudence, like his writing, is of majesty, His magic, like his wealth, is lawful. | |
| گر به کار افکند نهان را او | مایه بخشد همه جهان را او |
| If he puts his hidden abilities to work, He grants substance to the whole world. | |
| علم ظاهر چو خنده کرده عیان | سر باطن چو غمزه گفته نهان |
| Outer knowledge has made him manifest like a smile, Inner secrets have spoken him hidden like a wink. | |
| خط او شکل زلف حور بود | هرچه عیبست ازو نفور بود |
| His writing was the shape of the Houri's tress, Whatever is a flaw was averse to him. | |
| نور رویش حدیقهٔ حذقست | خط خطش حظیرهٔ صدقست |
| The light of his face is the garden of skill, Every line of his writing is the enclosure of truth. | |
| خط او خطهٔ معانی بکر | نام او نامهٔ مبانی ذکر |
| His writing is the territory of virgin meanings, His name is the book of the foundations of remembrance. | |
| قلمش چون معانی انگیزد | نقشبند معالی آمیزد |
| When his pen stirs up meanings, It mixes the painter of exaltations. | |
| خط و معنی وی ز ظلمت و نور | هست چون زلف حور بر رخ حور |
| His writing and meaning, from darkness and light, Are like the tress of a Houri on the face of a Houri. | |
| هر سوادی ازو بباض ملک | هر بیاضی ازو سواد فلک |
| Every blackness from him is the whiteness of the kingdom, Every whiteness from him is the blackness of the sky. | |
| از سواد و بیاضش از پی مزد | گشته عقل همه امینان دزد |
| From his black and white, for the sake of reward, The intellect of all the trustworthy ones has become a thief. | |
| هم نکودار اصل و فضل و کرم | هم نگهدار راز دین و حرم |
| He is both the preserver of origin, grace, and generosity, And the keeper of the secret of religion and the sanctuary. | |
| چون سر خویش سر نگهدارد | ماره چون مار گرزه بگذارد |
| He protects secrets as he would his own head, He passes the path like a venomous snake. | |
| گنج را همچو رنج بگذارد | راز را همچو دین نگهدارد |
| He leaves behind treasure like hardship, He guards the secret like religion. | |
| زانکه داند که با کمال وجود | جز به موضع نکو نیاید جود |
| Because he knows that with the perfection of existence, Generosity does not come nicely except in its proper place. | |
| زانکه دریا و ابر و کان به عطا | بکنند از طریق جود خطا |
| Because the sea, the clouds, and the mine in their granting, Make mistakes from the path of generosity. | |
| لعل کی دید هرکه کانی کند | زر کجا یافت هرکه جانی کند |
| When did whoever digs a mine see rubies? Where did whoever struggles find gold? | |
| اندر آن دم که خوش زبان باشد | گوش را لفظ او چو جان باشد |
| At the moment when he is sweet-tongued, His words are like a soul to the ear. | |
| فطنت او برآید از پی ساز | مور وار از میان خانهٔ راز |
| His astuteness emerges to build, Like an ant from the middle of the house of secrets. | |
| فلک از جود او عطا جویست | راز بارای او سخن گویست |
| The sky seeks bounty from his generosity, The secret speaks with his judgment. | |
| راز دارست عزتش زانست | خازن راز و حارس جانست |
| He is a secret-keeper, his honor is due to that, He is the treasurer of the secret and the guard of the soul. | |
| ماجرای زمانه دیده دلش | هرچه زو خوبتر گزیده دلش |
| His heart has seen the events of the times, His heart has chosen whatever is better from it. | |
| وهم او چون نم هوا از گل | آن برآرد که باشد اندر دل |
| His imagination, like the moisture of the air from the rose, Brings forth what is in the heart. | |
| هر دم آرد پدید زمزم و نیل | دست او همچو پای اسماعیل |
| Every moment he brings forth Zamzam and the Nile, His hand is like the foot of Ishmael. | |
| دور دوران عقل جامهٔ او | ره مردان چو برق خامهٔ او |
| The cycle of the intellect's eras is his garment, The path of men is like the lightning of his pen. | |
| عملش هست نامهٔ یحیی | قلمش هست چون دم عیسی |
| His deed is the book of John, His pen is like the breath of Jesus. | |
| عزم و حزمش ز رای نیکوتر | گشته در کارها ورا یاور |
| His resolve and prudence are better than his judgment, Becoming his helper in affairs. | |
| شده در کار ملک و دین بیدار | دین و دولت فزوده زو مقدار |
| He has become awake in the affairs of state and religion, Religion and the state have increased in value from him. | |
| شاه را عون در تصرف ملک | کرده از رای او تعرف ملک |
| He is the king's aid in managing the kingdom, Making the kingdom known through his judgment. | |
| زان نکو اعتقاد و رای رزین | شده چون خلد ملکت غزنین |
| From that good belief and firm judgment, The kingdom of Ghazni has become like paradise. | |
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بخش ۱ - مقدّمهٔ رفاء / Section 1 - The Preface of Rafa
بخش ۱ - در توحید باری تعالی / Section 1 - On the Oneness of God the Exalted
بخش ۲ - فصل معرفت / Section 2 - The Chapter on Gnosis
بخش ۳ - فصل وحدت و شرح عظمت / Section 3 - Chapter on Unity and Description of Grandeur
بخش ۵ - فصل اندر صفا و اخلاص / Section 5 - Chapter on Purity and Sincerity
بخش ۴ - فصل تنزیه قِدم / Section 4 - The Chapter on the Sanctification of Pre-Eternity
بخش ۶ - التمثیل فی شأن من کان فی هذه اعمی فهو فیالآخرة اعمی جماعة العمیان و احوال الفیل / Section 6 - The Allegory regarding 'Whoever is blind in this world will be blind in the Hereafter': The Group of Blind Men and the States of the Elephant
بخش ۸ - التمثیل فی اصحاب تمنّی السوء / Section 8 - The Allegory regarding those who wish for evil
بخش ۷ - فصل فی ان الاستواء معقول والکیفیة مجهول / Section 7 - The Chapter on: 'Establishing' is Comprehensible and the Modality is Unknown
بخش ۱۰ - فی الحفظ و المراقبة / Section 10 - On Vigilance and Self-Observation
بخش ۱۱ - التمثیل فی قوم یؤتون الزکوة / Section 11 - The Allegory regarding a People Who Pay the Alms
بخش ۱۲ - فیالحکمة و سبب رزق الرازق / Section 12 - On Wisdom and the Cause of the Provider's Provision
بخش ۱۳ - فیالهدایة / Section 13 - On Guidance
بخش ۱۵ - فصل اندر تقدیس / Section 15 - Chapter on Sanctification
بخش ۱۶ - داستان باستان / Section 16 - The Ancient Tale
بخش ۱۷ - التمثیل لقوم ینظرون بعین الاحوال «مُناظِرَة الوَلَدِ مَعَ الوالِد» / Section 17 - The Allegory for a People Who Look with the Eye of Squinting (or Circumstances): 'The Debate of the Son with the Father'
بخش ۱۸ - فی زینةالاطفال / Section 18 - On the Ornament of Children
بخش ۲۱ - فیالامثال والمواعظ، الفقر سواد الوجه والدُّنیا دارالزوال و تغیّرالاحوال و الانتقال / Section 21 - On Proverbs and Admonitions: Poverty is the Blackness of the Face, and the World is the House of Decline, the Change of Conditions, and Passing Away
بخش ۲۲ - در بینیازی از غیر خدایتعالی و دست در وی زدن از سر حقیقت / Section 22 - On Independence from Other Than God the Exalted and Clinging to Him in Truth
بخش ۲۳ - اندر تضرّع و عجز / Section 23 - On Supplication and Helplessness
بخش ۲۴ - حکایت / Section 24 - The Tale
بخش ۲۵ - اندر ذکر و یاد کردن / Section 25 - On Remembrance and Recollection
بخش ۹ - فصل اندر درجات / Section 9 - Chapter on Degrees
بخش ۲۶ - حکایت / Section 26 - The Tale
بخش ۲۷ - تمثیل / Section 27 - The Allegory
بخش ۲۸ - فی ذکر دارِالبقاء / Section 28 - On the Mention of the Abode of Eternity
بخش ۲۹ - اندر وجود و عدم / Section 29 - On Existence and Non-Existence
بخش ۳۰ - اندر شُکر گوید / Section 30 - On Gratitude
بخش ۳۱ - اندر شکر و شکایت / Section 31 - On Gratitude and Complaint
بخش ۳۲ - فیاطّلاعه علی ضمائرالعباد / Section 32 - On His Awareness of the Inner Secrets of the Servants
بخش ۱۴ - فی المُجاهدة / Section 14 - On Spiritual Struggle
بخش ۳۳ - اندر رزق گوید / Section 33 - On Sustenance
بخش ۳۴ - تمثیل / Section 34 - A Parable
بخش ۳۵ - حکایت مرغ با گبر / Section 35 - The Tale of the Bird and the Zoroastrian
بخش ۳۶ - تمثیل در بیداری / Section 36 - Parable on Wakefulness
بخش ۳۷ - اندر حب و محبت / Section 37 - On Love and Affection
بخش ۳۸ - اندر تجرید گوید / Section 38 - On Detachment
بخش ۱۹ - فصل اندر صُنع و قدرت / Section 19 - Chapter on Divine Artistry and Power
بخش ۳۹ - فی سلوک طریق الآخرة / Section 39 - On Treading the Path of the Hereafter
بخش ۴۰ - التمثیل لابن الغافل والاب العاقل / Section 40 - The Allegory of the Heedless Son and the Wise Father
بخش ۴۱ - حکایت / Section 41 - The Tale
بخش ۴۲ - فیالتوکّل / Section 42 - On Trust
بخش ۴۳ - فی توکل العجوز / Section 43 - On the Trust of the Old Woman
بخش ۴۴ - ایضاً فیالتوکّل / Section 44 - Also on Trust
بخش ۲۰ - فی تعظیم قدره / Section 20 - On Exalting His Power
بخش ۴۵ - التمثّل فیالرؤیاء و تعبیره و هو ثمانون رؤیا عجیبة / Section 45 - On Exemplification in Dreams and Its Interpretation, which includes eighty wondrous dreams
بخش ۴۶ - فی رؤیا الأثواب و الأوانی / Section 46 - On Dreaming of Garments and Vessels
بخش ۴۷ - فی رؤیا الصنّاعین / Section 47 - On the Dreams of Artisans
بخش ۴۸ - فی رؤیا البهائم / Section 48 - On Dreaming of Beasts
بخش ۴۹ - فی رؤیاء السّباع / Section 49 - On Dreaming of Predatory Beasts